Welcome to John E. WordSlingers’ Nudged Sketches of Flighty Things

Posted in Animal Poetry, Art Poetry, Beautifire, Begets of Autumn, bluebellbooks, Bullet Train Poetry, Cento, Charles C Gragg, Childrens Poetry, Christmas Poetry, Collaboration, Craft Poetry, Dark Poetry, De Nocturno Series, Epic Poetry, Erotic Poetry, Essay, Faith Poetry, Family Poetry, Fantasy Poetry, French Eroticopter Series, Friend Poets, Goth Poetry, History Poetry, Horror Poetry, http://www.youtube.com/watch?v=09rHDabBQfA, Humor Poetry, Interactive Poetry, Jingle Poetry At The Gooseberry Garden Picnic, John E WordSlinger, Kreativ Blogger Award, Language Octane: My French Eroticopter Series, Light Poetry, Love Poetry, Madelynn, Nature Poetry, Oratorio, Pantoum, Poetry, Poetry E Train, Poetry Promotion, Poetry Train, Poets of Blood, Positive Poems, Prose, Proverbe's de' les Roses, Romance Poetry, School of Poetry, Sestina, Short Story, Slingtionarious, Sonnet, Speech, Spiritual Poetry, Stream Conscious, The Art of Selena Howard, The Emily Dickinson Dash, The Phantom Series, Thursday Poets Rally, Time Travel Poetry, Tuanortsa, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , on May 24, 2011 by John E WordSlinger

Photo by: https://www.facebook.com/twoangelsdesignprinceton

BEGETS OF AUTUMN

WWWorrrrrrdddsssslllllllliiiinnnngggggggerrrr
is a poet with 4 wheel drive, so lets go for a ride…..
\,,/_(-.-)_\,,/ ~ WordSlingers’ NUDGED SKETCHES OF FLIGHTY THINGS

Facebook Page/GoodReads Page

WARNING!!! READ, RECITE, COMMENT,
and most of all CRITIQUE
@ YOUR OWN RISK !!! ….
-smiles and blessings….. lol…



##################################


John E. WordSlinger/PoetryTrain/dot/com is affiliated and a member of the following companies, and organizations.

My Internet Writing Life Motto is-
My internet writing life motto is-
Keep it poetry and poetry shall keep you.
Short Bio Hazard:

I have to take the road that Bruce Lee
took towards the Martial Arts, as an
analog “Like water”.
I take the Literature Arts of Poetry.
In the beginning I used free verse,
swift rhyming, lyrical, metal-rap-groove verse
with definition and aggression.
Now, I try different systems,
in all genres, as always,
and put them to my personal use.
Furthermore, put to use what is useful
when needed, and reject what I don’t need
at the time for a specific write.
Using no specific way, is the way,
I am the way I write, but keeping in mind,
the tools at hand. No limitations as the limitation.
With all poetry styles ( trapping, and grabbing)-
(mind locks-heart locks-spiritual locks-)
Honestly expressing oneself is difficult to do:
The poet, the creating individual is always
more important than any style or system.
Absorb what is useful, discard what is useless,
and add to what is your own.
I write my own interpretation of poetry.
Concepts behind concepts.
Dedicating to creating
creative new-original thoughts, and poetry.
I write with one hand,
but if I could write with the other,
at the same time, a different poem,
that would be to break boundaries.
As asking multi-tasking: Poetry styles separate poets.
Style is a continuous growth.
Poetry skills/tools are weapons and you have
to use all of them, to incorporate all styles.
(Move all parts of your poetry)
Put everything into it, all energy.
Rest then progress.
A true poet is constantly growing,
and when he or she are bound by a set of styles,
or a way of doing things, that’s when he,
or she stops growing.
To reach a reader you have to move
to them, advance, and retreat- advance retreat,
furthermore slide and step back, push,
and push back, circle them
( put the reader on defense),
and close them in, and hit them
with the best closure.
Poetry is like water, flexible, it has to go somewhere..

Poetry
Photo Credit

 I  love making  love to the alphabet.

I believe in her, and I believe she can be anything she wants to be.

~

Treacherous urges steadily spur
on this dreadful adventure of what we lure!-Poem Madversity…
~
In the Poets’ hood keep the Poets’ eye-
For a good Poet shall never die! Poets of Blood &c &c

Digital Fingerprint:
MCN: BKYF2-UKBRJ-5PLGS
Copyscape.com

DMCA.com
All poems All Rights Reserved:
FBI ANTI-PRIVACY WARNING;
UNAUTHORIZED COPYING IS PUNISHABLE
UNDER FED LAW
Embedded in Sap
ELSM.com/MusicRowLaw.com/BMI.com/HarryFox.com
Begets of Autumn LLC.

Psalms 35

My Good (confidence) Luck Charm

I strictly use Flairs for my poetry journals

John E. WordSlingers Poetry Journals

I strictly use Flairs for my journals

Click On Art Work to go Directly to Creations:

John E. WordSlingers’ Poetry Train Currently on an E-Journey in e-Africa.

Art by Selena Howard

Poetry Train.com

John E. WordSlingers’ School of Poetry (School House by Stefy Janeva)

“Surely in vain the net is spread in the sight of any bird” (Proverbs 1:17)


Portrait by Olan L. Smith

MATHIAS T. SAFARI to JOHN E. WORDSLINGER and THE POETRY TRAIN

Posted in Uncategorized with tags , , on November 13, 2020 by John E WordSlinger

 

MATHIAS T. SAFARI to JOHN E. WORDSLINGER and THE POETRY TRAIN

John poetry is a non commercial genre.
If you want, Let’s develop a comedy show.
The world train series allows to commentate on the global events….

If it’s poetry the way it is… Quicksand!

You will drive a jaguar from the comedy series.
Once it’s comedy… Million dollars will follow.

The words Poetry Train would be hailed as an invention…
You even don’t need to be funny. Even a cam recorder can do it.

John in that case, we kind of abandon the poetry route.
The Andy, Redd, And Boet can stay, but if it’s focusing on poetry per se…
Then it’s a dead end!
So which route are we talking
With comic scripts, you won’t go for Hollywood
It will come for you!

It’s going to get off as so big a show that you will fight to keep people out
Conceive everything, start with the comic scripts
Reorient yourself

Funding is not…
Talent is. Sweating is.
Self belief is
A cam recorder is enough

And see how to introduce yourself…
With a funny accent? Johnny Italiano? Mexicano?
Senor John I? etc?
With some hot social satire and jokes,
you can even enter politics at a later stage
Just work on the idea and get the set done
Fuck the investors, cam recorders are enough
You are the producer please,,,
It’s time for flying, protect your wings…

Okay my dear producer 🙂
I wish it appears moving….
A rickety bus can do
In between, anything to distract audiences can do…
Let it look like Austin powers
… With those animations
Don’t look for expertise…
Experts will suck life off every thing.
Spontaneous improvisation

The actors could need like 10 others sitting in the back ground.

Get the script idea to be shot… And we see.
I need to see what to add.
How do we simulate a bus to look like a train?

Head scout the core John, long time projects stall with personality crashes…!

The idea is being able to rehearse, and let it be the group you can dominate
That’s the most important.

The right team will come along, your train concept is solid.
Keep fishing, throw those back to the sea if they aren’t worth it…

JOHN E. WORDSLINGER

http://www.poetrytrain.com

SEED & ROOT STORIES

Poetry Train America
https://books.google.com/books?id=HfuVBQAAQBAJ

Poetry Train Canada
https://www.amazon.com/Poetry-Train-Canada-Books/dp/1517306167

U.S.A. & Canada Stories Edition
https://www.amazon.com/Poetry-Train-USA-Canada-Stories/dp/1720460655

Poetry Train Africa
https://www.inkitt.com/stories/mystery/52491

 

https://nnry.com/pages/movie-location.php

https://www.historicalemporium.com

https://www.digitalspy.com/movies/a825882/11-coolest-times-movies-broke-the-fourth-wall

https://www.teenvogue.com/story/grief-talking-to-a-dead-loved-one-is-good-for-mental-health

https://ew.com/movies/2017/09/21/assassination-of-jesse-james-anniversary

https://herbiejpilato.medium.com/how-to-create-and-produce-a-tv-show-that-sells-326f3d570f4f

https://www.pageturnerscreenplays.com/news

https://variety.com/2020/film/news/netflix-ron-howard-brian-grazer-imagine-1234637665

https://www.latimes.com/entertainment-arts/business/story/2020-10-27/covid-compliance-supervisors-hollywood-pandemic

https://go.exileaccelerator.com

https://variety.com/2020/streaming/festivals/netflix-christopher-mack-1234818702/

https://www.stitcher.com/show/the-selling-your-screenplay-podcast/episode/sys-podcast-episode-248-screenwriter-craig-walendziak-talks-about-how-he-broke-in-while-living-far-from-hollywood-56727296

Screen & Television Writing/Directing Etc &c Playlist

Acting Wisdom Playlist

 

MORE FILM/MOVIE/TELEVISION/VIDEO WISDOM

https://tv.avclub.com/a-riveting-er-gives-dr-greene-one-bad-day-that-just-ke-1798265819
https://videoandfilmmaker.com/wp/index.php/tutorials/director-prepares-visual-script-breakdown
https://movie-tourist.blogspot.com/
https://www.wgaeast.org/onwriting/michael-arndt-endings
https://www.screenplay.com/dr_Format
https://www.ian-irvine.com/for-writers
https://www.movienewsnet.com/2020/04/15/the-return-of-drive-ins-could-be-the-theater-industrys-last-hope/
https://songtown.com/
https://www.villagevoice.com/2009/09/09/i-will-not-read-your-fucking-script/
https://writersweekly.com/marketing-secrets/which-screenwriting-genres-sell-and-which-ones-dont-by-mark-heidelberger
https://uproxx.com/movies/jack-barth-interview-yesterday-writer-richard-curtis/
https://howtoproducemovies.com/what-is-live-action-movie/
http://www.writeprotect.co.uk/
https://www.lightsfilmschool.com/blog/what-is-the-two-minute-elevator-pitch
https://yourscreenplaysucks.wordpress.com/7-deadly-sins-of-writing
https://www.inc.com/geoffrey-james/this-new-tech-will-spawn-billionaires-almost-nobody-sees-it-coming.html
https://scriptmag.com/columns/adapting-novels-memoirs-short-stories-keep-cut
https://www.cineaste.com/
https://blog.kitsplit.com/the-ultimate-film-grant-list%E2%80%8A-%E2%80%8Asummer-2018/
https://film-prof.com/
https://www.lightsfilmschool.com/blog/how-to-finance-an-independent-film-finding-winning-investors
https://www.backstage.com/magazine/article/tips-better-headshot-11730/
https://www.cutthroatwomen.org/
https://perform.ink/
https://filmproduction.wordpress.com/2019/08/27/understanding-the-film-production-iatse-union/
https://ew.com/movies/2017/09/21/assassination-of-jesse-james-anniversary/
https://www.skillshare.com/
https://www.joe.ie/movies-tv/assassination-jesse-james-ten-year-anniversary-601615
https://www.helpguide.org/articles/relationships-communication/managing-conflicts-with-humor.htm?
https://www.humanityinaction.org/knowledge_detail/when-the-truth-hurts-tell-a-joke-why-america-needs-its-comedians
https://nofilmschool.com/2013/12/keep-your-script-alive-by-avoiding-these-screenwriting-cliches
https://www.screenplayreaders.com/comedy-script-isnt-funny/
https://thescriptlab.com/features/screenwriting-101/8886-15-simple-screenplay-rules-you-need-to-know/
https://www.storysense.com/format/transitions.htm
http://www.writingroom.com/viewwriting/wr_how_to/How-To-Format-A-Screenplay
https://penandthepad.com/write-dream-sequence-screenplay-4869393.html
https://johnaugust.com/2007/how-to-introduce-character
https://johnaugust.com/2015/fight-the-giant-or-moving-up-the-showdown
https://savethecat.com/tips-and-tactics/reworking-the-blake-snyder-beat-sheet
http://www.thewritersjourney.com
https://www.telegraph.co.uk/culture/4723245/Canine-combat-explodes-on-the-screen.html
https://blog.pond5.com/17856-shape-water-cinematographer-shoot-genre/
http://www.jackalediting.com/
https://ed.ted.com/lessons/how-to-write-fiction-that-comes-alive-nalo-hopkinson?
https://sfy.ru/?script=bound_ds2
https://www.the-numbers.com/
https://www.complex.com/pop-culture/best-villains-movie-history/seven
https://www.filmcomment.com/blog/interview-christopher-nolan/
https://www.pastemagazine.com/movies/1940s/the-50-best-films-of-the-1940s/
https://imagejournal.org/top-25-films-on-memory/
https://www.buzzfeed.com/danieldalton/purple-socks?utm_term=.vkYLlwkRy
http://www.tasteofcinema.com/2016/the-15-best-movies-about-the-consequences-of-existence
https://americanfilmmarket.com/relative-popularity-genres-around-world/
https://www.nolanfans.com/
https://medium.com/@simonlundlarsen/how-nolan-used-foreshadowing-and-payoff-in-the-prestige-to-trick-us-all-d300289c75e0
https://livescripts.blogspot.com/
https://www.raindance.org/the-low-budget-starter-kit/
http://www.scriptgodsmustdie.com/2010/03/format-9-voice-over/
http://www.screenwritersutopia.com/article/86504e6a
https://www.transparencynow.com/
http://stanleykramer100.com/joomla30/
https://nofilmschool.com/2017/09/art-making-films-smartphones-convincing-yourself-okay
http://www.scarycow.com/lowbudgetaudio/
https://blog.prosig.com/2008/04/14/what-is-db-noise-floor-dynamic-range/
https://www.soundonsound.com/techniques/recording-audio-short-film
https://www.imore.com/clips
https://donlafontaine.com/
https://vobuzzweekly.com/
https://screenwritingu.clickfunnels.com/
https://www.imsdb.com/
https://scriptwrecked.com/
https://www.oscars.org/nicholl/screenwriting-resources
http://www.scriptologist.com/
http://www.movieoutline.com/
http://www.theatrehistory.com/plays/
https://americanfilmmarket.com/screenplay-writing-explained-in-7-infographics/
https://www.inktip.com/
https://www.scriptdoctoreric.com/
https://nofilmschool.com/2012/07/17-writing-tricks-to-help-get-you-through-your-screeplay
https://filmschoolthrucommentaries.wordpress.com/
http://www.screenwritingspark.com/best-screenwriting-software
https://plato.stanford.edu/entries/film/
https://www.filmpreservation.org/preserved-films/screening-room/too-much-johnson-work-print
https://www.theguardian.com/technology/2015/nov/23/youtube-defend-film-makers-against-copyright-claims?
https://iphf.org/
https://www.victorian-cinema.net/louislumiere
https://scriptbully.com/screenwriting-buster-keaton/?utm_source=fbook-content-ad&utm_medium=social&utm_content=buster-keaton-prison&utm_campaign=cold-fbook-buster-keaton-writers
https://scriptpipeline.com/
http://www.onstory.tv
https://theatiquette.wordpress.com/2013/02/09/director-tableaux/
https://theworkingscreenwriter.blogspot.com/2007/09/action-scenes.html
https://johnaugust.com/2011/writing-fight-scenes
https://time.com/4186886/frances-marion
https://litreactor.com/columns/10-reasons-your-screenplay-sucks-and-how-to-fix-it
http://changingminds.org/disciplines/storytelling/articles/barthes_five_codes.htm?
https://litreactor.com/columns/understanding-the-objective-correlative?
https://en.wikipedia.org/wiki/Hamlet_and_His_Problems?
https://www.jstor.org/stable/427018?seq=1
https://www.writersdigest.com/whats-new/5-essential-tips-for-writing-killer-fight-scenes
https://thewritepractice.com/pow-fight-scenes/
https://www.standoutbooks.com/heres-how-to-write-a-damn-good-fight-scene/
https://filmmakeriq.com
http://www.scriptologist.com/Magazine/Formatting/Scene/scene.html
https://nofilmschool.com/2013/05/5-tips-screenplay-transitions-improve-screenwriting
http://www.movieoutline.com/articles/a-glossary-of-screenwriting-terms-and-filmmaking-definitions.html
https://aelarsen.wordpress.com/category/elizabeth-the-golden-age/
https://birthmoviesdeath.com/2013/08/28/saathoff-selects-godzilla-mothra-and-king-ghidorah-giant-monsters-all-out-a
https://www.storysense.com/
http://www.sensesofcinema.com/2004/cteq/eisenstein/
https://nofilmschool.com/2013/05/5-tips-screenplay-transitions-improve-screenwriting?
https://offscreen.com/view/eisenstein_intellectual_montage_poststructuralism_and_ideology
https://en.wikipedia.org/wiki/Reverse_chronology
https://www.mentalfloss.com/article/64298/15-things-you-might-not-know-about-memento
https://thewrittenreel.com/2013/02/20/la-glace-a-trois-faces
https://grunes.wordpress.com/2009/12/25/the-three-sided-mirror-jean-epstein-1927/
https://www.filmsite.org/filmterms.html?
https://www.reddit.com/r/TrueFilm/comments/3ob0x4/good_screenplays_bad_screenplays_and_lifeforce/
https://www.reddit.com/r/TrueFilm/comments/3nsm3u/an_accurate_description_of_bad_writing/
http://pages.cs.wisc.edu/~dalbers/perception/film.html?
https://www.oscars.org/events/movies-your-brain-science-cinematic-perception
https://www.wingclips.com/themes/perception
https://www.k-state.edu/psych/vcl/applied-research/film.html
https://tvtropes.org/pmwiki/pmwiki.php/Main/RuleOfEmpathy
https://scienceblogs.com/cognitivedaily/2008/01/31/cuts-in-movies-and-their-impac
http://bang2write.com/2015/11/10-screenwriting-lessons-from-the-exorcist-part-2-by-david-mcclellan.html
http://bang2write.com/2015/09/1-simple-trick-for-writing-diverse-characters.html
http://www.theatrehistory.com/misc/august_strindberg_001.html
http://www.imagi-nation.com/moonstruck/clsc8.htm
https://kontakt.raketforskning.se/?d=extrapris.se%2Fastrindberg.html
http://www.villagevoice.com
https://www.la-screenwriter.com
https://beckysroom.wordpress.com/2012/11/26/use-of-the-epistolary-form
https://screencraft.org/2016/05/04/9-simple-lessons-for-writing-effective-horror-screenplays/
https://nomapneeded.wordpress.com/2013/01/23/5-principles-of-film-form/
http://www.classicartfilms.com/smiles-of-a-summer-night-1955
https://liftoff.network/music-and-audio-techniques-for-film
https://www.fastcompany.com/1682092/oscar-winner-william-monahan-on-how-to-write-unforgettable-dialogue
https://www.buzzfeed.com/danieldalton/purple-socks?utm_term=.vkYLlwkRy
http://www.tasteofcinema.com/2016/the-15-best-movies-about-the-consequences-of-existence
https://www.awn.com/vfxworld/ghost-rider-marvel-cg-fire-dynamics
https://www.hollywoodreporter.com/news/a-changing-vision-128173


Zimbabwe’s Cinematic Arts: Language, Power, Identity
by Katrina Daly Thompson https://books.google.com/books?id=xQBbVfPukGMC

Film Essays and Criticism By Rudolf Arnheim
https://books.google.com/books?id=QblxFody490C

Film as Art by Rudolf Arnheim
https://books.google.com/books/about/Film_as_Art.html

Naked Lens By Jack Sargeant
https://books.google.com/books?id=-fiyN_g1nRoC

The Technique of Film and Video Editing: History, Theory, and Practice
By Ken Dancyger https://books.google.com/books?id=338Fzxj_kO4C

A Critical Cinema 2: Interviews with Independent Filmmakers
By Scott MacDonald https://books.google.com/books?id=r422vpKlEn4C

Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
By Andrew V. Uroskie https://books.google.com/books?id=xsjPAgAAQBAJ

Avant-Garde Film: Motion Studies
By Scott MacDonald https://books.google.com/books?id=RjY4AAAAIAAJ

The Avant-Garde Feature Film: A Critical History
By William E.B. Verrone https://books.google.com/books?id=8qxV6MBkDKcC

Screen Writings: Texts and Scripts from Independent Films
edited by Scott MacDonald https://books.google.com/books?id=lvExz5csRUkC

Adventures in the Screen Trade By William Goldman
https://books.google.com/books?id=qdNXo2952boC

The Complete Idiot’s Guide to Screenwriting by Skip Press
https://books.google.com/books?id=zsqNRhMe3aQC

The Sacred Wood and Major Early Essays By T. S. Eliot
https://books.google.com/books?id=SCfHnLwWg2MC

The Screenwriter’s Problem Solver: How to Recognize, Identify, and Define …
By Syd Field https://books.google.com/books?id=PrQgzC9ipgMC

Screenwriting: Creative Labor and Professional Practice
by Bridget Conor https://books.google.com/books?id=CgVgAwAAQBAJ


In the Mind’s Eye: Julian Hochberg on the Perception of Pictures, Films, and the World
by Mary A. Peterson, Barbara Gillam, H. A. Sedgwick
https://books.google.com/books?id=E0qyrgoAWp0C

The Art of Nonfiction Movie Making
by Jeffrey Friedman, Rob Epstein, Sharon Wood
https://books.google.com/books?id=M61zCgAAQBAJ


FILM – http://www.ubu.com/papers/#dada
Rudolf Arnheim “Art Today and the Film” (1966)
Rudolf Arnheim “Who Is the Author of a Film?” (1958)
Francois and André Berge “An Interview with Blaise Cendrars on the Cinema” (1976)
Luis Buñuel “A Statement” (1960)
Guy L. Coté “Interview with Robert Breer” (1962/63)
Selections from FILM CULTURE Magazine (1955-1996)
Jerome Hill “Brakhage and Rilke” (1965)
Jerome Hill and Guy Davenport “Stan Brakhage and His Songs” (1966)
Ken Kelman “Film As Poetry” (1973)
Richard Leacock “For an Uncontrolled Cinema” (1961)
Charles Levine “Interview with Robert Breer” (1973)
Willard Maas “Poetry and the Film: A Symposium” (1963)
Scott MacDonald “Screen Writings” (1985) [13.4mb, PDF]
Scott MacDonald “Introduction to “Avant-Garde Film”
Colin Marshall’s Ubuweb Experimental Video Project
Taylor Mead “The Movies Are A Revolution” (1963)
Martha Merrill “Black Panthers in the New Wave” (1972)
Walter S. Michel “In Memoriam Of Dimitri Kirsanov, A Neglected Master” (1957)
Toby Mussman “Early Surrealist Expression in the Film” (1966)
Yvonne Rainer – Screenplay for “Film About A Woman Who…” October, Vol. 2 (Summer 1976) [PDF, 3mb)
Yvonne Rainer – Screenplay for “Journeys from Berlin/1971” October, Vol. 9 (Summer 1979) [PDF, 1mb)
Yvonne Rainer – A Letter from Yvonne Rainer October, Vol. 10 (Autumn 1979) [PDF, 2mb)
Carrie Lambert – “Moving Still: Mediating Yvonne Rainer’s ‘Trio A'” October, Vol. 89 (Summer 1999) [PDF, 1mb)
Ron Rice “Dazendada Works” (1965)
Ron Rice “Foundation for the Invention and Creation of Absurd Movies” [PDF]
Alan Schneider “On Directing Samuel Beckett’s Film”
Mark Segal “Hollis Frampton/”Zorns Lemma” (1971)
Paul Sharits’s Flickerfilms: A Concrete Experience of Nothing [William H. Smith, ES 55/56 SPRING/AUTUMN 2009] [PDF]
Michael Snow “Notes on Rameau’s Nephew”, October, Vol. 4 (Autumn, 1977), pp. 43-57; PDF, 2.6mb
Gregory Springer “New Improved George Landow Interview” (1976)
Donald Sutherland “A Note on Stan Brakhage” (1962)
Parker Tyler “Stan Brakhage” (1958)
Parker Tyler “Declamation on Film” (1961)
Andy Warhol in Conversation with Peter Gidal (1982) [PDF, 20kb]
WFUV Radio Symposium “On the Nature and Function of the Experimental (Poetic) Film” (1957)
Gene Youngblood “Expanded Cinema”, 1970, [PDF] http://www.ubu.com/papers/#dada


THE POETICS OF ARISTOTLE
translated by S. H. BUTCHER
https://www.sacred-texts.com/cla/ari/poe/index.htm

Willard Maas “Poetry and the Film: A Symposium” (1963)
http://www.ubu.com/papers/poetry_film_symposium.html

Scott MacDonald “Screen Writings” (1985) [13.4mb, PDF]
https://www.researchgate.net/publication/272397584_Performing_Language_Animating_Poetry_Kinetic_Text_in_Experimental_Cinema
https://read.dukeupress.edu/poetics-today/article-abstract/28/1/1/20917/Poetry-and-Avant-Garde-Film-Three-Recent

Scott MacDonald “Introduction to “Avant-Garde Film”
http://www.ubu.com/papers/macdonald_avant_intro.html

 

 

 

 

 

TILL THE GROKE FALLS IN LOVE PROJECT

Posted in Uncategorized with tags on October 15, 2020 by John E WordSlinger

with ADRIAN ONYANDO

 

The great tales of of Africa meet the great literatures of the world: that is how this YA novel can be described. Can one imagine a situation in which the setting for The Little Prince becomes a setting for yet a narrative, and the Groke of the Moomin tales becomes a protagonist in an apocalyptic war? In plot movement, the animals journey from Africa to the Arctic circle to visit one of their friends there, but they find him buried in ice. Something terrible has happened to him and is about to happen to the whole world too. Can these braves join together to avert the catastrophe? This is indeed a unifying super myth touching on all the great myths of the world from ancient and contemporary Africa, Europe, America, Asia and the Bible.
It is a tale of war adventure, mystery, quest, romance and philosophical treatise all rolled into one. It is rich in themes that are of interest to young adults, like love, adventure, friendship and cooperation. Moreover, all the great tools of literature have been used to give this story a unique power and wit; poetry, drama, philosophy, life strategies and love of nature suffuse its plot.

_ Adrian Onyando –

TILL THE GROKE FALLS IN LOVE By ADRIAN ONYANDO


https://www.amazon.com/TILL-GROKE-FALLS-ADRIAN-ONYANDO-ebook/dp/B07MPNT9WP

TEST SAMPLE PLAYLIST


https://www.youtube.com/playlist?list=PLu9HHcfF5kokQRhVVTlI3wgXxxUTCrvwR

 

A TALE ON THE SPOT

https://www.youtube.com/channel/UCE5g9pAB9jKEL38V2PqFHEw

 

BACK STAGE

https://www.facebook.com/media/set/?vanity=poetrytrain&set=a.4528889007186472

 

 

SANCTUARY OF AUTHENTICITY: THE ANGELS TUNING FORK screenplay XI by John E. WordSlinger

Posted in Clairvoyance, Faith Poetry, History Poetry, John E WordSlinger, Screenplay, Slingtionarious on January 27, 2020 by John E WordSlinger

https://www.amazon.com/dp/B086G4JNMS

 

SANCTUARY OF AUTHENTICITY:

THE ANGELS TUNING FORK

screenplay XI by John E. WordSlinger

~

We follow the life of Friar & Poet Thomas of Celano during 13’th century AD as he writes a hagiography about the life of Italian friar, deacon and preacher Francis of Assisi.

https://www.amazon.com/dp/B086G4JNMS

Soundtrack Playlist:

https://www.youtube.com/playlist?list=PLu9HHcfF5konnDJRGNQNr90k4xbMpYfZG&fbclid=IwAR3hyqqdRIJ7L-CGvnfVLpBYQQWeFKP54Th2_Nu6Z8Oka0NKPjKzEPb4858

ya ya th’C inside th’Circle John E. WordSlinger

https://www.amazon.com/Mr-John-E-WordSlinger/e/B01AF3E55M

https://speakofthepoetandthepoem.wordpress.com